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That sentence he said, reminded me of Jacob Biton’s poetry who wrote about himself and his brother Dogan facing their grandma’s death, the big mother.
In his meticulous photograph there is something primary, physical like a bone cracking out of skin. » Yaara Shehori The photographs & text were originally published in "The Hottest Place In Hell" magazine, May 7th, 2015 Victorian ornithologists and botanists would have heartily commended Susan Hipgrave’s remarkable series of hand-painted plates.
I obsess about how fine a line I can do; ultimately, I love seeing all the little black lines that I’ve painted come together to create an image.’ Despite the striking maturity of her work, Susan has been working in ceramic art for less than a decade.
For many years she worked as an art director/designer in advertising.
Transmutation was the word that came to mind the first time I saw milliner Sahar Freemantle's Magpie inspired Ugly Lovely collection.
A narrative of claws, animal horns, feathers, shredded snake skin, fossilized beetles, dried butterflies, bird skulls, etc, gave me the impression that if I wore one of her ingenious creations, I could morph into this intelligent bird.
Susan departs from a straightforward replication of flora and fauna by concocting strange hybrids or by exaggerating features, such as piercing eyes to convey the extreme visual acuity of an eagle.They aim to challenge the notion of beauty by drawing ones own and contrasting it with the dark and the strange.As well they tell a story of fearlessness allowing whoever wears these objects of art to be transformed; bringing out inner confidence and strength.Raised on a farm it was commonplace for Sahar to see animal carcasses, skulls, rotting fruit and vegetables and it is in this milieu of birth, death and decay that she discovered beauty in the extraordinary.While studying at Edinburgh College of Art she found passion in high drama, Schiaparelli hats, insect art and taxidermy receiving her degree in Costume Design and specialising in Millinery.